๐ฎ๐ฒ ๐ ๐ฎ๐ฟ๐ฐ๐ต ๐ฎ๐ฌ๐ฎ๐ฑ
๐ช๐ฒ๐ฑ๐ป๐ฒ๐๐ฑ๐ฎ๐, ๐ฐ.๐ฌ๐ฌ๐ฝ๐บ
๐ฆ๐๐๐ฟ๐ฎ ๐๐ฎ๐น๐น๐ฒ๐ฟ๐
๐ญ๐ฎ, ๐ฃ๐ฒ๐ฟ๐๐ถ๐ฎ๐ฟ๐ฎ๐ป ๐ง๐ถ๐๐ถ๐๐ฎ๐ป๐ด๐๐ฎ ๐ฏ
๐ฅ๐ฆ๐ฉ๐ฃ ๐ฏ๐ ๐ฎ๐ฐ ๐ ๐ฎ๐ฟ๐ฐ๐ต ๐ฎ๐ฌ๐ฎ๐ฑ
๐ฆ๐๐๐ฟ๐ฎ @ ๐ฌ๐ญ๐ต-๐ฏ๐ฏ๐ฏ ๐ญ๐ฌ๐ต๐ฎ
Dear Friends,
I am delighted to invite you to a sharing of my dance photographic journey and experience in conjunction with my solo b/w exhibition of Malam Bulan Di Pagar Bintang, presently exhibited at Sutra Gallery.
Dance Photography is a specialised area that requires one to be extra- observant. I consider it to be a close and intimate encounter with my subject, which is the moving human body in the act of expressing itself.
This โencounterโ can be very tenuous and even more elusive than photographing a landscape.
What makes one โencounterโ preferable than the one before or after it? This split-second decision has always been a subjective point of
contention when to click for a photograph.
The area of Dance Photography is still open for exploration especially in Malaysia and in which Sutra has been a pioneer in spearheading.
This is the experience which I want to share with you and I hope you will be at Sutra with me, together with Sutra dancers and Ramli Ibrahim, who will take an active part in the discussion.
See you there!
S Magendran & Sutra
๐๐๐ก๐๐ข ๐ฝ๐ช๐ก๐๐ฃ ๐๐ ๐๐๐๐๐ง ๐ฝ๐๐ฃ๐ฉ๐๐ฃ๐
๐ผ ๐
๐ค๐ช๐ง๐ฃ๐๐ฎ ๐๐ฃ ๐ฟ๐๐ฃ๐๐ ๐๐๐ค๐ฉ๐ค๐๐ง๐๐ฅ๐๐ฎ
๐ฌ๐๐ฉ๐ ๐ ๐๐๐๐๐ฃ๐๐ง๐๐ฃ
๐ฎ๐ฒ ๐ ๐ฎ๐ฟ๐ฐ๐ต ๐ฎ๐ฌ๐ฎ๐ฑ
๐ช๐ฒ๐ฑ๐ป๐ฒ๐๐ฑ๐ฎ๐, ๐ฐ.๐ฌ๐ฌ๐ฝ๐บ
๐ฆ๐๐๐ฟ๐ฎ ๐๐ฎ๐น๐น๐ฒ๐ฟ๐
๐ญ๐ฎ, ๐ฃ๐ฒ๐ฟ๐๐ถ๐ฎ๐ฟ๐ฎ๐ป ๐ง๐ถ๐๐ถ๐๐ฎ๐ป๐ด๐๐ฎ ๐ฏ
๐ฅ๐ฆ๐ฉ๐ฃ ๐ฏ๐ ๐ฎ๐ฐ ๐ ๐ฎ๐ฟ๐ฐ๐ต ๐ฎ๐ฌ๐ฎ๐ฑ
๐ฆ๐๐๐ฟ๐ฎ @ ๐ฌ๐ญ๐ต-๐ฏ๐ฏ๐ฏ ๐ญ๐ฌ๐ต๐ฎ
Dear Friends,
I am delighted to invite you to a sharing of my dance photographic journey and experience in conjunction with my solo b/w exhibition of Malam Bulan Di Pagar Bintang, presently exhibited at Sutra Gallery.
Dance Photography is a specialised area that requires one to be extra- observant. I consider it to be a close and intimate encounter with my subject, which is the moving human body in the act of expressing itself.
This โencounterโ can be very tenuous and even more elusive than photographing a landscape.
What makes one โencounterโ preferable than the one before or after it? This split-second decision has always been a subjective point of
contention when to click for a photograph.
The area of Dance Photography is still open for exploration especially in Malaysia and in which Sutra has been a pioneer in spearheading.
This is the experience which I want to share with you and I hope you will be at Sutra with me, together with Sutra dancers and Ramli Ibrahim, who will take an active part in the discussion.
See you there!
S Magendran & Sutra
